blood / self
"now you're in Guelph: the very word sounds like onomatopoeia for puking"—Jenna Jarvis
Discordia does not, it turns out, hate everything. Every other week, we share a piece of new or gently-used work from an artist who's earned our respect.
There is art that moves us, and there is art that moves with us. This is Fellow Travellers.
blood
i. Byron Avenue is not an English garden is a butt-end of triplexes a bottle-green neck of trees is a naked privileged child rising from a storm drain and collapsing in the flood ii. go quintuple-fuck yourself seal up ass and pre-taint and eyes and ears and nose with smoke and puke in middle school when we started our cycles in tandem we'd menstruate into a tub together always and see if we really were blood sisters iii. in junior school— fuck off, I should have been the one in private school the one in that private place now keep walking under the Queensway hospital's that-a-way iv. all of those funny talking French alligators and British seabirds in powdered wigs returned home to their families and eggs upon realizing that they hated domestic life went right back to chopping off each others' limbs v. now you're in Guelph: the very word sounds like onomatopoeia for puking
self
Recursive mimicry-of-mimic: for free transit, steps, night elsewhere, I self-present. Everything comes back to the Latin. Some words are better in direct questions. Circumlocution in self-evident contexts. Universal constants: the network goes down, the public service stops pretending to do what it says on the tin, everyone knocks off, so I am not where I ought not to be. Alone. Being a private sector worker when I’m not freelancing or unconscious I hadn’t known the computers crashed out (as the kids say) the same day my name printed on a wristband. I inquire hesitantly using Messenger in the same house if it’s deliberate or a coincidence or some fanciful requisite third thing like serendipity someone was here in the very early morning, again at noon, now well before 5:00pm. I learn all the above, so it’s a semi-coincidence, which is a fucking brilliant compound, which is my entire fucking point. Ellipses manifest: Can always let me know if you need a late night lift to Emerg or whatever. Can’t imagine how you got to whichever Emerg it was [insert visual representation of eesh sound, i.e., squaremouthed grimacing emoji]. I respond: I walked from the station in the middle of the night. Er, that is not the correct answer, except it is. I’ve manifested temporal-contextual awareness, emoji audible down the hallway through my closed door. Say less. I don’t want a next time. I appreciate contingency.
A previous version of “blood” originally appeared as a broadside from In/Words circa 2013.
JENNA JARVIS has lived in several places. Her poetry has most recently appeared in *These Days* and *Bad Dog*. She holds a BA (2013) and MA (2022) in English Literature from Carleton University, where she featured in several *In/Words* iterations as a contributor and/or editor.Interested in being a Fellow Traveller? Email your poetry, prose, visual art, etc. to discordia.sucks@gmail.com. We pay (not much), and pieces are collected a few times a year in a small print edition.
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